Otto Mueller (* 16 October 1874 in Liebau; † 24 September 1930 in Obernigk) was a German painter and lithographer. Today he is considered one of the most important Expressionists. He was the last member to join the artists' group "Brücke".
Otto Mueller was born on 16 October 1874 in the Silesian province of Liebau. From 1890 to 1894 he completed an apprenticeship as a lithographer in Görlitz. After this he began to study at the academy of arts in Dresden. In 1898 he changed to the academy of arts in Munich. However, he left the following year without graduating, as Franz von Stuck did not accept him into his class. The artist then returned to Dresden, where he made the acquaintance of Maria (called Maschka) Mayerhofer.
In 1900 he travelled to Italy and Switzerland with the writer Gerhard Hauptmann and his son Ivo. Through Hauptmann, Mueller meets important intellectuals, including Rainer Maria Rilke and Wilhelm Lehmbruck.
The artists' group "Brücke" was founded in Dresden in 1905 by architecture students Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Since none of them had completed any artistic studies, there is no art-theoretical approach as a fundament behind the group, unlike in the case of the "Blaue Reiter". What is ostensible is an urge for public visibility and recognition outside civic society. The group is an unconventional form of living community which reflects a uniform artistic style. 1910 marks the peak of the "bridge style", which is characterised, among other things, by intense colour contrasts, coarsening of forms and simplification of motifs. This sometimes develops from the preferred use of various printing techniques, such as woodcut and etching. The artists' main focus is on working quickly and intuitively in the outdoors and interpreting nature in a way that expresses one's senses. When the artists moved to Berlin in 1911, the urban environment became increasingly present in their lives and oeuvres. After increasing estrangement, the artists eventually separated in 1913. For a time, Hermann Max Pechstein, Otto Mueller and Emil Nolde, among others, joined the group and influenced the development of the "Brücke". Today, the works of the artists from the "Brücke" are considered, along with those of the "Blaue Reiter", to be the most important evidence of German Expressionism and can be found in many renowned art collections.
The "Freie (Free) Secession" was formed in 1914 as a spin-off of the Berlin Secession. Until its collapse ten years later, 50 artists, including Käthe Kollwitz, Otto Mueller, Max Beckmann and Karl Schmidt-Rottluff, worked in the group under the leadership of Max Liebermann. Exhibitions are not only held with the members, but also in honour of artists who have already died.
Classical Modernism comprises various art and style movements of the first half of the 20th century. Especially across countries, there is a great heterogeneity of the arts, whereby not all artists and works can be clearly categorised. Classical Modernism includes not only the visual arts but also design, architecture and photography. The tremendous wealth of currents and tendencies in Classical Modernism shows similarities and differences and proves how strong the exchange among artists is beyond national borders and stylistic movements. Alongside the artists of Expressionism, Surrealism, Cubism, Futurism, New Objectivity and various other avant-garde movements, painters such as Marc Chagall, Marino Marini, Lovis Corinth, Marcel Duchamp, Egon Schiele, Hannah Höch, Maria Lassnig, Max Ernst, Robert Delaunay and Paul Klee belong to Classical Modernism.
The "Novembergruppe" was founded in Berlin in 1918, shortly after the November Revolution. Until its dissolution in 1933 when the National Socialists seized power, over 170 artists were members of this trend-setting movement. Initiated by Max Pechstein and César Klein, the association brought together artists working in the Expressionist, Futurist and Cubist movements such as Lyonel Feininger, Paul Klee, Alexej von Jawlensky, Willi Baumeister, Wassily Kandinsky, Otto Mueller and Christian Rohlfs. This syncretism also asserts itself in the unification of art, music, architecture, theatre and philosophy that the group advocates. Members asked for a say in matters of art policy, such as the acquisition of art for public collections, art policy and the provision of exhibition space.