The artist group Brücke

The artists’ group “Brücke” was founded in Dresden in 1905 by architecture students Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Since none of them had completed any artistic studies, there is no art-theoretical approach as a fundament behind the group, unlike in the case of the “Blaue Reiter”. What is ostensible is an urge for public visibility and recognition outside civic society. The group is an unconventional form of living community which reflects a uniform artistic style. 1910 marks the peak of the “bridge style”, which is characterised, among other things, by intense colour contrasts, coarsening of forms and simplification of motifs. This sometimes develops from the preferred use of various printing techniques, such as woodcut and etching. The artists’ main focus is on working quickly and intuitively in the outdoors and interpreting nature in a way that expresses one’s senses. When the artists moved to Berlin in 1911, the urban environment became increasingly present in their lives and oeuvres. After increasing estrangement, the artists eventually separated in 1913. For a time, Hermann Max Pechstein, Otto Mueller and Emil Nolde, among others, joined the group and influenced the development of the “Brücke”. Today, the works of the artists from the “Brücke” are considered, along with those of the “Blaue Reiter”, to be the most important evidence of German Expressionism and can be found in many renowned art collections.

Artists

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